Churn – graphite powder & my hands/fingertips, 2026. This drawing series is based on real-time captures of ocean currents from an environmental data platform. The patterns represent the unpredictable weather patterns due to climate change but also the churning anxiety related to environmental disasters & our current administration’s refusal to acknowledge and address climate change issues.
Churn, 6.97° N, 105.11° W Ocean currents 45° at 0.47 m/s 6/16/2026, graphite powder on paper, 6/2026
Churn, 37.16° N, 60.84° W Ocean currents 150° at 1.06 m/s 6/26/2026, graphite powder on paper, 48” x 62”, 6/2026
Churn, 13.21° N, 177.72° W Ocean currents 300° at 0.24 m/s 6/16/2026, graphite powder on paper, 48” x 62”, 6/2026
Churn, 17.21° N, 142.60° W Ocean currents 260° at 0.12 m/s 6/23/2026, graphite powder on Arches paper, 6/2026
Churn, 29.25° N, 71.76° W Ocean currents 40° at 0.27 m/s 6/16/2026, graphite powder on paper, 48” x 62”, 6/2026
Churn, 15.46° N, 179.52° W Ocean currents 180° at 0.14 m/s 6/26/2026, graphite powder on paper, 48” x 62”, 6/2026
Hand Ballet, digital images from video, 2023
I did not describe the mirror - I was the mirror, digital images, 2023
I did not describe the mirror - I was the mirror is an ongoing series of self-portraits. Created using 3d scanning technology, the scans are an attempt to capture a three-dimensional image of my body, retaining the flaws, embracing the glitches that technology produces. These fragments and irregularities become a metaphor for the body, in a continual state of transformation.
Ring of Brodgar Rubbings 9" x 12" Graphite rubbings on paper from four stones at the Ring of Brodgar, Orkney, Scotland, 2017
Drawing from “the invisible lake called telepathy” (performance with Samantha Mohr) 60” x 60”, charcoal on gallery wall, June 2015
Phillips Lake Study 19” x 25”, graphite powder on Arches, 2014 Photo by Weng San Sit
Century Lake 53” x 80”, graphite powder on Arches, 2015 Photo by Weng San Sit
View from the Edge 42” x 70 1/4”, graphite powder on Arches, 2014 Photo by Weng San Sit
Sink 42” x 70 1/4”, graphite powder on Arches, 2014 Photo by Weng San Sit
Strange Loop (All the Places I Can Remember) 53” x 144”, graphite on Arches, 2014 – ongoing Photo by Weng San Sit
Iceland Lake
A circle of glowing dark green ice
dug into a field of silence.
Secrets frozen for eternity.
42” x 52”, graphite powder on Arches, 2014
Photo by Weng-San Sit
Phillips Lake
Sharon’s father hollowed out a large round hole in their
backyard and he filled it with water.
Minerals in the soil turned it bright orange.
It sparkled.
I entered into this lake that swallowed my legs in a soft
thick mud.
53” x 102 ½”, graphite powder on Arches, 2015
Photo by Weng-San Sit
Bard Lake
Gradually descending
into territorial waters.
Luminous yet marked.
Soft on the skin.
53” x 106”, graphite powder on Arches, 2015
Photo by Weng-San Sit
Norfolk Lake
Deep dark blue liquid.
Alive with young naked bodies in the night.
It was the beginning.
Warm, electric, black and stars.
53” x 84 ½”, graphite powder on Arches, 2015
Photo by Weng-San Sit
Duet, Isadora Duncan, 2013. Charcoal on Arches, 44" x 53"
Duet, Anna Pavlova, 2013. Charcoal on Arches, 44" x 53"
Vertical Loop, 2013. Graphite on Arches, 70" x 42"
Infinity Loop, 2013. Charcoal on Arches, 51" x 73"
Drawing from "Burn", Video Performance, 2013. 22" x 30"
Drawing from "La Recherche", Video Performance, 2012. 22" x 30"
Étoile, A Duet, 2011. Charcoal on Arches, 44" x 53"